Skip to content Skip to sidebar Skip to footer
Home / Pay for What Ever Happened to Baby Jane Mp4

Pay for What Ever Happened to Baby Jane Mp4

Post a Comment

1962 film by Robert Aldrich

What E'er Happened to Infant Jane?
What Ever Happened to Baby Jane? (1962).jpg

Theatrical release affiche
Directed by Robert Aldrich
Screenplay by Lukas Heller
Based on What Ever Happened to Baby Jane?
by Henry Farrell
Produced by Robert Aldrich
Starring
  • Bette Davis
  • Joan Crawford
Cinematography Ernest Haller
Edited by Michael Luciano
Music by Frank De Vol

Production
visitor

Seven Arts Productions
Distributed by Warner Bros. Pictures

Release date
  • Oct 31, 1962 (1962-10-31)

Running fourth dimension

 134 minutes[1]
Land United States
Language English
Budget $980,000[two]
Box part $ix.5 million[3]

What Ever Happened to Infant Jane? is a 1962 American psychological horror-thriller film directed and produced by Robert Aldrich, from a screenplay by Lukas Heller, based on the 1960 novel of the same name by Henry Farrell. The moving picture stars Bette Davis and Joan Crawford, and features the major picture show debut of Victor Buono. It follows an aging former kid star tormenting her paraplegic sister, a quondam picture star, in an old Hollywood mansion.[4] [5] [6]

What Ever Happened to Baby Jane? was theatrically released in the U.s. on October 31, 1962, by Warner Bros. Pictures. The film was met with critical acclamation and was a box office success. It was nominated for 5 University Awards and won i for Best Costume Design, Black-and-White, with Davis receiving her tenth and final nomination for All-time Extra.

The intensely bitter Hollywood rivalry between the motion-picture show's two stars, Davis and Crawford, was heavily important to the film'due south initial success.[vii] This in part led to the revitalization of the careers of the two stars. In the years afterward release, critics continued to acclaim the pic for its psychologically driven black comedy, campsite, and creation of the psycho-biddy subgenre.[seven] [viii] The moving-picture show's novel and controversial plot meant that it originally received an X rating in the U.K.[1] Because of the appeal of the film'south stars, Dave Itzkoff in The New York Times has identified it as being a "cult classic".[nine] In 2003, the graphic symbol of Baby Jane Hudson was ranked No. 44 on the American Film Institute's list of the fifty Best Villains of American Cinema.[10]

In 2021, the flick was selected for preservation in the United States National Film Registry by the Library of Congress as beingness "culturally, historically, or aesthetically significant".[xi]

Plot [edit]

In 1917, "Babe Jane" Hudson is a spoiled and capricious child actress who performs in vaudeville theatres across the land with her father, who acts as her manager and accompanies her on stage on the piano. Her success is such that a line of porcelain dolls is made in her prototype. Meanwhile, her shy older sister Blanche lives in her shadow and is treated with contempt past the haughty Jane. As the sisters pass adolescence, their situations undergo a reversal; Jane's manner of performing falls out of way, and her career declines as she descends into alcoholism, while Blanche becomes an acclaimed Hollywood actress. Mindful of a hope made to their mother, Blanche attempts to maintain a semblance of a career for Jane, going as far equally to impose on producers to guarantee a number of interim roles for her. One evening in 1935, Blanche's career is cut brusk when she is paralyzed from the waist down in a mysterious machine accident that is unofficially blamed on Jane, who is found iii days later in a drunken stupor.

By 1962, Blanche and Jane are living together in a mansion purchased with Blanche'due south flick earnings. Blanche's mobility is express due to her reliance on a wheelchair and the lack of an lift to her upstairs bedroom. Jane, psychotic and resentful of Blanche's success, regularly mistreats Blanche and prepares to revive her former human activity with hired pianist Edwin Flagg. When Blanche informs Jane she intends to sell the house, Jane rightly suspects Blanche will commit her to a psychiatric hospital once the house is sold. She removes the phone from Blanche's bedroom, cutting her off from the exterior world. During Jane's absence, Blanche desperately drags herself down the stairs and calls her doctor for help. Jane returns to find Blanche on the phone and beats her unconscious before mimicking Blanche'south voice to dismiss the doctor. After tying Blanche to her bed and locking her in her room, Jane abruptly fires their housekeeper, Elvira, when she comes to piece of work. While Jane is away, the suspicious Elvira sneaks into the business firm and attempts to access Blanche's room. Concerned by the lack of a response, Elvira tries to break open the door with a hammer. Jane returns home and reluctantly gives Elvira the key. Equally shortly as Elvira enters Blanche'south room, Jane takes the hammer and kills Elvira.

A few days later, the police call to tell Jane that Elvira's cousin has reported her missing. Jane panics and prepares to go out, taking Blanche with her. Earlier they can exit, an inebriated Edwin is escorted to the house by constabulary and discovers Blanche bound to her bed. Edwin flees and notifies the authorities. Jane, in a fit of infantile regression, takes Blanche to a embankment where she sang equally a child, alluring the attention of nearby beachgoers. Blanche — lying starved, dehydrated, and about decease on a blanket — tells the real story of the car accident to relieve Jane of guilt, saying she is paraplegic through her ain fault: On the night of the accident, Blanche tried to run Jane over because she was angry at Jane for mocking her at a party earlier that night. Blanche's spine bankrupt when her machine struck the iron gates outside their mansion, and she dragged herself in front of the automobile'southward hood to stage the accident and frame Jane. Blanche took reward of Jane'southward shock and subsequent bough, removing the existent dynamics of the blow from her listen, and subjected Jane to a life of guilt, loneliness, and servitude. Now enlightened of the truth, Jane sadly states that the sisters could take been friends. Afterward Jane gets ice cream for herself and Blanche from a nearby kiosk, she is recognized by two police officers, who enquire her to atomic number 82 them to Blanche. Jane dodges the officers' inquiry and dances before a crowd of bemused onlookers, while the officers find Blanche and rush to confirm her condition.

Bandage [edit]

  • Bette Davis as Jane Hudson
    • Julie Allred equally nine-year-old Jane
    • Debbie Burton equally young Jane'due south singing voice
  • Joan Crawford as Blanche Hudson
    • Gina Gillespie as 13-year-sometime Blanche
  • Victor Buono as Edwin Flagg
  • Marjorie Bennett as Dehlia Flagg
  • Maidie Norman as Elvira Stitt
  • Anna Lee as Mrs. Bates
  • B. D. Merrill every bit Liza Bates
  • Dave Willock as Ray Hudson
  • Anne Barton equally Cora Hudson (credited every bit Ann Barton)
  • Wesley Addy equally Marty McDonald
  • Robert Cornthwaite every bit Doctor Shelby
  • Maxine Cooper every bit Banking concern Teller
  • Bert Freed as Ben Golden
  • Ernest Anderson as Ernie the ice-cream vendor[12]
  • William Aldrich as Lunch Counter Assistant at Embankment
  • Russ Conway every bit Police force Officer
  • Michael Fox every bit Boob tube Commercial Homo
  • Don Ross as Law Officer
  • James Seay as Police Officer
  • John Shay as Police Officer
  • Jon Shepodd every bit Law Officeholder
  • Peter Virgo every bit Police Officeholder

Production [edit]

Bette Davis (left) as Babe Jane Hudson and Joan Crawford as her sis, Blanche Hudson

The house exterior of the Hudson mansion is located at 172 S McCadden Identify in the neighborhood of Hancock Park, Los Angeles. Other residential exteriors show cottages on DeLongpre Avenue near Harvard Artery in Hollywood without their current gated courtyards. The scene on the embankment was filmed near Aldrich'due south beach business firm in Malibu, the same site where Aldrich filmed the final scene of Buss Me Deadly (1955). The beach firm'southward exterior is briefly visible during the film'south last scenes.

Footage from the Bette Davis films Parachute Jumper and Ex-Lady (both 1933) and the Joan Crawford film Sadie McKee (1934) was used to correspond the film acting of Jane and Blanche, respectively.

The character of Liza, Mrs. Bates' daughter, was played by Davis's real-life daughter B. D. Merrill.

In a 1972 telephone conversation, Crawford told writer Shaun Considine that after seeing the picture she urged Davis to become and take a await. When she failed to hear back from her co-star, Crawford called Davis and asked her what she idea of the movie. Davis replied, "You lot were so right, Joan. The picture is good. And I was terrific." Crawford said, "That was it. She never said anything about my operation. Not a word."[13]

During the filming of Hush...Hush, Sweetness Charlotte (1964), Crawford acknowledged to visiting reporter and author Lawrence J. Quirk the difficulty she was having with Davis because of the Oscar incident,[ clarification needed ] just added, "She acted similar Baby Jane was a one-woman bear witness after they nominated her. What was I supposed to do? Let her sus scrofa all the celebrity, deed like I hadn't fifty-fifty been in the flick? She got the nomination. I didn't begrudge her that, but it would have been squeamish if she'd been a picayune gracious in interviews and given me a picayune credit. I would've done so for her."[14]

Critical reception [edit]

Gimmicky reviews were mixed. In a generally negative review in The New York Times, Bosley Crowther observed, "[Davis and Crawford] do go off some agreeable and somewhen blood-chilling displays of screaming sororal hatred and general monstrousness ... The feeble attempts that Mr. Aldrich has made to suggest the irony of 2 once idolized and wealthy females living in such depravity, and the desolation of their deep-seated envy having brought them to this, wash out very chop-chop under the flood of sheer grotesquerie. There is nothing moving or particularly pregnant well-nigh these two."[15] Philip K. Scheuer of the Los Angeles Times also panned the film, writing that Crawford and Davis had been turned into "grotesque caricatures of themselves" and that the motion picture "mocks not just its characters but also the sensibilities of its audience."[16] The Chicago Tribune wrote, "This isn't a movie, it's a caricature. Bette Davis' make-upward could very well have been done by Charles Addams, Joan Crawford'south perils make those of Pauline await like proficient, clean fun and the plot piles i fantastic twist upon another until it all becomes nonsensical."[17] Brendan Gill of The New Yorker was somewhat negative as well, calling the moving picture "far from being a Hitchcock—it goes on and on, in a low-cal much dimmer than necessary, and the climax, when it late arrives, is a bungled, languid mingling of pursuers and pursued which put me in mind of Last Year at Marienbad. Notwithstanding, Bette Davis and Joan Crawford do go a hazard to carry on like mad things, which at least one of them is supposed to be."[xviii]

Among the positive reviews, Variety stated that after a slow and overlong introduction the film became "an emotional toboggan ride," adding, "Although the results heavily favor Davis (and she earns the credit), it should be recognized that the plot, of necessity, allows her to run unfettered through all the stages of oncoming insanity ... Crawford gives a quiet, remarkably fine interpretation of the bedridden Blanche, held in emotionally past the nature and temperament of the part."[19] Richard 50. Coe of The Washington Mail service also liked the picture, writing that "Miss Davis has the showiest office and bites into information technology with all her admired strength, looking a fear from head to pes. I doubt if she would regret some of the laughs she gets. She plays for them and psychologically, they are needed. If Miss Crawford has the passive role, that is non without rewards. Suffering is one of her particular gifts."[xx] The Monthly Motion picture Bulletin wrote that numerous directorial techniques, including all the plunging shots down the staircase, made the film look "rather like an anthology of the oldest and well-nigh hackneyed devices in thrillerdom. And yet, in its curious Gothic way, the film works marvelously, though mainly as a field-day for its actors."[21]

In Sight & Audio, Peter John Dyer stated that the film had "a frequent air of incompetence," writing of Aldrich's direction that "Like some textbook student of Hitchcock who never got across Blackmail, he dispenses suspense with ham-fisted conventionality." Dyer did praise the performances of the leads, withal, finding that they seemed to have institute "a new maturity, a discipline encouraged perhaps by the confined sets and Crawford'south wheelchair, or by the interaction of their professional rivalry upon a belated mutual respect."[22]

More recent assessments have been more uniformly positive. On review aggregator website Rotten Tomatoes the moving picture holds an approving rating of 92% based on 51 reviews, with an average rating of 7.91/10. The site'south critical consensus reads, "What Ever Happened to Baby Jane? combines powerhouse acting, rich atmosphere, and absorbing melodrama in service of a taut thriller with thought-provoking subtext."[23] On Metacritic, the film has a weighted average score of 75 out of 100 based on 15 critics, indicating "more often than not favorable reviews".[24]

In a retrospective review, Television receiver Guide awarded the moving picture four stars, calling it "Star wars, trenchantly served" and adding, "If it sometimes looks like a poisonous senior citizen show with over-the-tiptop spoiled ham, only effort to wait away ... As in the all-time Hitchcock movies, suspense, rather than bodily mayhem, drives the film."[25]

Awards and nominations [edit]

Box office [edit]

The moving-picture show was a box function hit, grossing $9 million in theatrical rentals in North America.[32] In adapted grosses, What Ever Happened To Baby Jane? fabricated an estimated $124 million in 2019 dollars, making it the 20th highest-grossing film of the year and giving both Bette Davis and Joan Crawford their biggest hit in over a decade.[33]

In the U.k., the picture was given an 10 certificate by the BBFC in 1962, with a few minor cuts. These cuts were waived for a video submission, which was given an 18 certificate in 1988, pregnant no one under 18 years of age could buy a copy of the moving picture.[1] However, in 2004, the moving-picture show was re-submitted for a theatrical re-release, and it was given a 12A certificate, now meaning persons under 12 years of age could view it if accompanied by an adult. It remains at this category to this mean solar day.[34]

Legacy [edit]

The movie's success spawned a succession of horror/thriller films featuring psychotic older women, later dubbed the psycho-biddy subgenre, among them Aldrich's Hush...Hush, Sweet Charlotte, What Always Happened to Aunt Alice?, and director Curtis Harrington'southward Whoever Slew Auntie Roo? and What's the Thing with Helen?. Information technology was parodied by the Italian comedy film What Ever Happened to Baby Toto? [35]

Shaun Considine's book Bette and Joan: The Divine Feud (1989) chronicles the actresses' rivalry, including their experience shooting this film.[36]

One-act duo French and Saunders (Jennifer Saunders and Dawn French) created a BBC episode called "Whatever Happened to Baby Dawn?" on 22 March 1990.[37] French and Saunders besides made a radio play about feuding sisters called "Whatsoever Happened To Baby Jane Austen" in 2021.[38]

In 1991, the moving-picture show was remade as a tv film starring existent-life sisters Vanessa and Lynn Redgrave.[39]

In 2006, Christina Aguilera adopted a new change ego called Baby Jane after Bette Davis' graphic symbol in the picture show.[40]

In Season ii, Episode 4 of RuPaul's Drag Race All Stars, the drag queens' acting chops are tested in parody film sequels of RuPaul'south favourite films. A parody of ''What E'er Happened to Baby Jane?'' called ''Wha' Ha' Happened to Babe JJ?'' was made by Alaska and Alyssa Edwards.[41]

The backstage battle between Crawford and Davis during the product of the pic is the basis for the 2017 miniseries Feud, which stars Jessica Lange as Crawford and Susan Sarandon as Davis and created past Ryan White potato.[42] [43]

References [edit]

  1. ^ a b c "Whatsoever Happened to Baby Jane? (X)". British Board of Picture show Classification. Nov thirty, 1962. Retrieved September nine, 2011.
  2. ^ Alain Argent and James Ursini, Whatsoever Happened to Robert Aldrich?, Limelight, 1995 p 256
  3. ^ French box part results for Robert Aldrich films at Box Role Story
  4. ^ Ebert, Roger. "What Ever Happened to Baby Jane? Moving picture Review (1962) - Roger Ebert". www.rogerebert.com.
  5. ^ Tobias, Scott. "What Ever Happened to Baby Jane?". The New York Times.
  6. ^ "What Ever Happened to Infant Jane? (1962) - Robert Aldrich - Synopsis, Characteristics, Moods, Themes and Related - AllMovie". AllMovie.
  7. ^ a b "'BLU-RAY REVIEW – "What Ever Happened to Baby Jane?"". Slant Magazine. November 6, 2012. Retrieved October ii, 2014.
  8. ^ "What E'er Happened To Baby Jane?". The A.Five. Club. June 6, 2008. Retrieved October ii, 2014.
  9. ^ Itzkoff, Dave (July 12, 2012). "Whatever Happened to 'Baby Jane'? Information technology's Getting a Remake". New York Times . Retrieved October 2, 2014.
  10. ^ "AFI'S 100 YEARS...100 HEROES & VILLAINS". AFI. July iv, 2003. Retrieved Oct ii, 2014.
  11. ^ Tartaglione, Nancy (Dec fourteen, 2021). "National Film Registry Adds Return Of The Jedi, Fellowship Of The Ring, Strangers On A Train, Sounder, WALL-E & More". Deadline Hollywood . Retrieved December 14, 2021.
  12. ^ What Always Happened to Babe Jane? (1962) - IMDb , retrieved 2020-07-26
  13. ^ BETTE AND JOAN past Shaun Considine, Dell, 1989, ISBN 0-440-20776-2, pp. 433
  14. ^ Joan Crawford: The Essential Biography by Lawrence J. Quirk and William Schoell, University Pr of Kentucky, 2002, ISBN 0813122546, ISBN 978-0813122540, pp. 221
  15. ^ "Movies". The New York Times.
  16. ^ Scheuer, Philip K. (November 8, 1962) "What's Happened to Bette and Joan?" Los Angeles Times. Part IV, p. 9.
  17. ^ Tinee, Mae (November six, 1962). "'Baby Jane' Moving-picture show Is Lurid Tale of Sadism'. Chicago Tribune. Part 2, page 4.
  18. ^ Gill, Brendan (November 17, 1962). "The Current Cinema". The New Yorker. pp. 209–210.
  19. ^ "Film Reviews: What Ever Happened To Baby Jane?". Diversity: half-dozen. Oct 31, 1962.
  20. ^ Coe, Richard Fifty. (November 1, 1962). "Davis, Crawford Trigger Eerie Tale". The Washington Postal service: C27.
  21. ^ "What E'er Happened To Infant Jane?". The Monthly Film Bulletin. 30 (353): 81–82. June 1963.
  22. ^ Dwyer, Peter John (Summer 1963). "Coming together Infant Jane". Sight & Sound. 32 (3): 119.
  23. ^ "What Ever Happened To Babe Jane? (1962)". Rotten Tomatoes. Retrieved October 8, 2020.
  24. ^ "What Ever Happened to Baby Jane? Reviews". Metacritic . Retrieved Oct 8, 2020.
  25. ^ "What Ever Happened To Baby Jane?". TVGuide.com.
  26. ^ "The 35th University Awards (1963) Nominees and Winners". oscars.org . Retrieved 2011-08-23 .
  27. ^ "BAFTA Awards: Picture show in 1964". BAFTA. 1964. Retrieved sixteen September 2016.
  28. ^ "Festival de Cannes: What Ever Happened to Baby Jane?". festival-cannes.com . Retrieved 2009-02-27 .
  29. ^ "15th DGA Awards". Directors Guild of America Awards . Retrieved July 5, 2021.
  30. ^ "What E'er Happened to Baby Jane? – Golden Globes". HFPA . Retrieved July 5, 2021.
  31. ^ "Film Hall of Fame Productions". Online Picture show & Television Clan . Retrieved May 15, 2021.
  32. ^ "All-time Top Grossers", Variety, January 8, 1964, p. 69
  33. ^ "Joan Crawford Movies | Ultimate Motion-picture show Rankings". 31 May 2015.
  34. ^ "Whatever Happened to Baby Jane? (12A)". British Board of Film Classification. August 27, 2004. Retrieved September 9, 2011.
  35. ^ Alberto Anile (1998). I film di Totò (1946–1967): la maschera tradita. Le mani, 1998. ISBN8880120808.
  36. ^ Rorke, Robert (26 February 2017). "Why Bette Davis and Joan Crawford's Feud Lasted a Lifetime". The New York Postal service . Retrieved February 26, 2017.
  37. ^ "Whatever Happened To Babe Dawn?, Series 3, French and Saunders - BBC 2". BBC.
  38. ^ "BBC Radio four - Whatever Happened to Baby Jane Austen?".
  39. ^ "What Ever Happened to Babe Jane? (1991) - David Greene - Synopsis, Characteristics, Moods, Themes and Related - AllMovie". AllMovie.
  40. ^ Vineyard, Jennifer (August 23, 2006) "Christina Prune Got A Boost From Outkast, Office-Playing Dancers". Retrieved June 23, 2013.
  41. ^ "RuPaul's Drag Race All Stars – Season two, Ep. four – Drag Flick Shequels – Full Episode | Logo TV". Logo TV . Retrieved 2017-04-09 .
  42. ^ Wagmeister, Elizabeth (5 May 2016). "Feud: Ryan Murphy Lands Third FX Anthology With Susan Sarandon, Jessica Lange". Multifariousness . Retrieved May 5, 2016.
  43. ^ Birnbaum, Debra (January 12, 2017). "FX Sets Premiere Dates for Feud, The Americans, Archer". Diversity . Retrieved Jan 12, 2017.

External links [edit]

kaganwinvelits00.blogspot.com

Source: https://en.wikipedia.org/wiki/What_Ever_Happened_to_Baby_Jane%3F_(film)

Post a Comment for "Pay for What Ever Happened to Baby Jane Mp4"